Sally Harrison's Dot Paintings

Sally Harrison's Dot Paintings

www.ArtPal.com/saharrison

The Forces that shape our lives.

In 1949 a white man raped my 14 yr old mother. As neglected children she was exiled to the Qld Border & I to Bomaderry Mission to become a Domestic Servant. The Missionaries imbued me with a strict code of honesty, self-discipline & love of goodness. There was no disrespect, disobedience, lies or shirking of responsibilities. When I was 6 yrs old, my world was turned upside down. I was adopted by a white couple who uprooted all the good cultivated in me & Dept. of Aboriginal Affairs decreed absolutely no contact with Family or Aboriginals.

I can't express the horrors of The Word Made Flesh; a new home & name (ie: shadow self & reflection) & a new religion enforcing the use my right hand which switched & split my brains, & society chained me to the opinion of Sir Walter Baldwin Spencer, that half-castes weren't much better than animals (their parents) & only fit for domestic service. So Science classified me & mine as "belonging to Pan Troglodyte". In this Modern Enlightened Age, the Government continued to act like a Fawning Lackey Paying Homage to its Idol - The god-like IMAGE of a Benighted Dead Man.

Sir Walter Baldwin Spencer's Opinion stripped me of my humanity. I was made an idiot child at the hands of parents who Interpreted His Opinion Literally. They ensured my neocortex wouldn't develop by denying friendships outside of school hours, reducing my life to hell behind closed doors & cleaning a bank after school till 9 pm. Thankfully, when I was 10, the nuns persuaded them to alIow me to attend Saturday morning art classes. 

In 1987, after a lifetime of Servility & inability to articulate my problems, my white identity (a shadow "self" reflecting Society) disintegrated under The Burden of public opinion. I decided to reject parental/social ideas & return to those of My Mother Figure at Bomaderry, Sister Mavis Kennedy, whose Foresight prepared me for adulthood. Her Loving Example taught me to Work & "Do Without" Like An Adult from my infancy, saving me from The Fate of millions.

In 1992 I taught myself to dot paint to Re-Connect with my Aboriginal Spirit & undertook the laborious task of piecing together my shattered mind so I could Understand myself. Now, Sister Kennedy's Superb Example Guides Me to assume control over my 2 selves, Weld them into One entity called A BRAIN & make it SUBSERVIENT to me, its Adult Supervisor.

In 2014, I began to Re-educate myself on the Etymology of English words & The Origins of Cultural Beliefs & Languages of The Near East; then compared them with Australian Aboriginal Beliefs & Languages. I found similarities in Beliefs & many Aboriginal words identical to or phonetically the same as those of ancient Sumer, Akkad & Babylonia.

Aborigines call their Ancestors Sky Heroes & Creator Beings. These Ancient Astral Beings made them Responsible to Care For This Timeless Land & imparted Star Lore; Kinship Laws to avoid inbreeding; Laws for The Preservation of plant/animal species for present & future generations (thus preserving existing ecosystems) & introduced "Fire-Stick" farming; a slow burn designed to remove old growth, allowing new plant growth for their benefit as well as bird/animal life. They also Forbade Idolatry & the creation of Images of them in Human or Animal Form. Instead, they gave each tribe different SYMBOLS & designs to represent them in SACRED ART, which expresses these Ancient Religious Beliefs.

After a Lifetime of Ignorance I'm Free. The More I Learn, the more The Past recedes into nothingness like "Lord Wind" after His Energy & Life Force is Exhausted & Dissipated, Summoning Raging Storms that destroy homes & lives. Thus Creation continues to create a Yawning Gap between NOW & My Past as a Slave in the Antipodes ruled by the antiquated Attitudes of The Victorian Era.

Dot painting Reconnects me to My Astral Ancestors in The Vast Silence of THE ETERNAL NOW, where Hu (AN EGYPTIAN WORD for Authoritative Speech) doesn't exist.




Indigenous Themes and Stories




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Urban Landscapes