The structure of this painting panel is defined by a subtle and structural manipulation to assert a three main media used in the painting, via sawdust, white glue and oil colours. These constitute a distinct geometrical relish that cuts across the entire composition, assuming a low relief painting in two dimensional forms. The use of blue, red, yellow, purple and green which seems seem to occupy almost the entire painting surface, with blue as a dominant colours and as well a dormant figure of Nigerian child . In the painting also, the use of intense colour contrast is to evoke mood. It allows a viewer to experience the kinetic power of the painting in a real life situation. This is achieved by the tactile values and optical effects of sawdust are too pronounced, as the colours are well rendered in avalanche of beauty. The structural line that cuts across the surface composition is a metaphoric symbol which arouses dynamic visual rhythms for the sake of variety and unity harmony.