In art I always was seeking for the opportunity to make the viewer feel the picture as something alive, to feel the presence. But not only with the help of classical techniques, or not only with the help of it, but more through associative, subconscious or intuitive.
Using various objects, fabrics, textures, you can create something you can touch to change, something that is exposed to the environment, natural and aging. And that can revive the canvas.
It was always paradoxical for me to feel impressionism more alive comparing to classical realism, I found the key to this answer in Alla prima techniques emotions and admiration are instantly imprinted on the canvas.
Therefore, I try to create work as quick as possible so as not to move out to another environment. To create a good picture you have to live it, survive it.
Even if the picture is not completed, then it will provide an opportunity viewer's imagination.
Everything you can imagine is real.- Picasso.
At recent moment I am working on a new direction "Anrealism".
Since childhood, I was surrounded by bunch of books about history of Italian art and architecture, and also most often visited this country with parents who were dealing with fashion boutiques. Grandmother was teacher of piano and singing , given private lessons. So house was fulfilled with atmosphere which motivated me to start creating from age of 3.
2012 International art fair “Artists at home and abroad” Broadway art gallery, New York
2014 A/NT Gallery Seattle "Eros" Exhibition
2014 Rochester erotic arts festival. New York
2014 Seattle international erotic art festival
2017 Art fair Jerusalem
2017 3d art project Holon, Israel
2020 Uncharted waters - Pennsylvania USA
2020 Roma Hybrid art prize - Ufofabricks gallery Italy
NY Art Magazine -vol12(2012)
Art undressed book (2014)
Art signature 2015