I arrived on December 31, near midnight of the year of 1960, to the most transparent region, Mexico City. Being a precocious iconoclast, I was expelled from almost every school I attended, going through the very catholic and nice to military internships and academies abroad, as a university student in the early eighties I opted for the history of art, postmodern synergy that served me as a psychological springboard to finish, in 1984 in the City of Monterrey, the degree of architect at the Universidad Regiomontana.
In1984/85 designed and built Casa para mi papá, a mexican post- modern house, San Pedro, NL
It was in this same year, in the art show convened by Vitro, that I was awarded for my sculpture "With Title" which was a dramatic installation composed of animal and human remains that surprisingly warned of the horrors of war.
In 1985, I started a long trip through Europe that lasted for visiting and writing about the contemporary art museums that I was discovering.
In 1986 I designed CASTILLO DE LA FUENTE San Pedro NL
n 1987 I returned to Mexico City and started an architecture office, ARQUITECTONIX.
In 1988 I designed MILPICOS a geometric house in Tabachines, Morelos
At the end of 1989 I started a tour of the south east of Mexico and its magical Mayan world. In 1990 I designed two small houses in Cancun Q.R. ANUBIS and AMANECER
In 1991 i accepted the project to design a geriatric center DE LA FUENTE in Saltillo Coahuila and change the beach for the mountains of the Sierra de Arteaga.
In 1992 they entrusted me with the design of an antro in Monterrey called VONGOLE, for which I chose scrap as a means of representing the mechanical / social decay of a decomposed clock, this is the first time I have contact with industrial archeology.
In 1993, I designed and presented the SONORA FILMS studios in Sonora Mexico.
At the end of 1994 I established my residence in San Pedro NL
1995 was a year of crisis and versatile adaptation, start my Recycled Art Workshop, TAR.
In 1996 I designed and built YIN YANG a scrap yard in Saltillo Coahuila.
In 1997, I designed and built PRANA, a place where there was from a macrobiotic naturist restaurant to a SPA, going through conference rooms and esoteric shop
In 1998 I joined INTERPLANOS 130, an office of avant-garde architects and decorators.
In 1999 I made several architectural projects highlighting an antro called VORTEX, LA CASAGALERIA LANKENAU,
the bar/ restaurant M11 ....
At the beginning of the year 2000 I designed the CITLALLI school at El Barrial, near Monterrey.
By the end of the year 2000 I had my first solo art exhibition, RECREACION ARX at the Drexel art gallery.
2001 is a year dedicated more seriously to sculpture without neglecting the architectural Sino.
In March 2002, I was selected by the organizers of the MONTERREY SUMMIT to make the decoration and small souvenir of the Gala Dinner at the Fundidora park.
In June of the same year I was selected to be part of the Plastic Review of Nuevo León.
In August Cigarrera La Moderna commissioned me the trophies for the Theater Festival of Nuevo León.
In September I was invited to the house of culture Guadalupe to mount an exhibition.
At the end of September participate in the traditional collective BEACH COMBERS, on South Padre Island, Tx.
At the beginning of October I participate in the collective "ALL FOR SALE”. In the CASAGALERIA,
For November participate in the WOODLANDS Art festival, in Houston, Tx.
For December, participate in Art Crawlers also in Houston.
In February 2003 I was invited to the collective AMOR A 4 TIEMPOS in the SPAIN of Mcallen Tx.
At the end of February I exhibit ARX at Deportivo San Agustín in San Pedro N.L ..
In March of 2003 I expose individually ARX in the Spain of Mcallen Tx ...
In May of 2004 I exhibit ‘RECREACION’ in The Contemporary Art Museum of Matamoros, Tamps.
n November of 2004 I participated and organized the expofiesta EROTICA In TAR San Pedro, N.L.
THERE IS MORE BUT IT DID NOT FIT.